Click here for the Final Exam Study Guide.
Music History – be sure to check out:
http://library.thinkquest.org/15413/history/music-history.htm
Baroque – 1600 – 1750
No symphonies composed in baroque period – Dance Suites
ACSOG – I. Allemande II. Courante III. Sarabande IV. Optional V. Gigue
No concert halls
Musicians employed by wealthy landowners (Kings, Dukes, Princes, etc.)
Performed in a chamber in the castles or estates – chamber orchestras – smaller groups
Bows were backwards – detache (short detached bow strokes) – Vivaldi, Corelli, Bach
Keyboard – harpsichord – one dynamic because strings were plucked, not hammered.
Bach (1685-1750) – St. Thomas Church in Leipzig, Germany
Vivaldi, Corelli
Classical – 1750 – 1827
First Concert Halls –
Four Viennese Masters – Beethoven 9, Schubert 10, Haydn 104 (worked for Prince Esterhauzy), Mozart 41
Piano Forte – Plays both loud and soft – strings are hammered
Bows were improved by Tourte
Brass valves were invented – allowed for more complex brass parts
Smaller to Larger orchestras
Shorter to Longer symphonies – Beethoven’s First Symphony
Sonata Allegro Form – Exposition/Development/Recapitulation
Romantic – 1827 – 1900
Programmatic – music that tells a story
Sinfonie Fantastique – Hector Berlioz – 1832
Five movements – Fixed Idea – Love Theme
Even longer symphonies – larger orchestras
Concerned sounds of orchestra – romantic ideas
Music Theory –
All theory covered in class may be reviewed at these websites:
http://library.thinkquest.org/15413/theory/theory.htm
http://www.musictheory.net/lessons
http://www.teoria.com/exercises/